Wednesday 31 August 2016

What is hidden in Montag's ventilator grill of his house?

Montag has books hidden in his ventilator grill at his house. 


Although he has not read any books before meeting Clarisse, his brief encounter with her causes him to be reminded of these books when he returns home:


He stood looking up at the ventilator grill in the hall and suddenly remembered that something lay hidden behind the grill, something that seemed to peer down at him now.


Montag must have had some spark of curiosity about...

Montag has books hidden in his ventilator grill at his house. 


Although he has not read any books before meeting Clarisse, his brief encounter with her causes him to be reminded of these books when he returns home:



He stood looking up at the ventilator grill in the hall and suddenly remembered that something lay hidden behind the grill, something that seemed to peer down at him now.



Montag must have had some spark of curiosity about the contents of the forbidden objects that he burns or he would not have stolen them. Now, after talking with the girl named Clarisse, Montag begins to wonder what it is that the books contain. When the books seem to "peer down at him," he "move[s] his eyes quickly away" as though he wishes not to think of them, or, perhaps, out of fear that he does desire to examine them. Clarisse has awakened something in Montag, something that he wants to experience, but, at the same time, he fears doing so because it is forbidden.

What are most serious illnesses among Americans caused by? What is the leading cause of death in the United States across all age groups?

The first of these questions reflects the changes in medical technology over the past century, which has led to a dramatic decline in many of the causes of disease and death. Perhaps the single most dramatic decline has been that in epidemic diseases caused by two major discoveries, that of vaccines and antibiotics. Many diseases caused by viruses and bacteria, such as polio and smallpox, have been partially or completely eradicated. Stricter regulation and development...

The first of these questions reflects the changes in medical technology over the past century, which has led to a dramatic decline in many of the causes of disease and death. Perhaps the single most dramatic decline has been that in epidemic diseases caused by two major discoveries, that of vaccines and antibiotics. Many diseases caused by viruses and bacteria, such as polio and smallpox, have been partially or completely eradicated. Stricter regulation and development of public safety measures such as sewage and water treatment mean environmental factors have a reduced impact on public health. As people live longer, they are more likely to suffer from lifestyle-related diseases, such as cancer, cardiovascular diseases, and diabetes. Many of these are associated with lifestyle factors such as smoking, use of alcohol or recreational drugs, inactivity, and obesity.


According to the Centers for Disease Control and Prevention, the leading causes of death across all age groups in 2015 were as follows:


  • Heart disease: 614,348

  • Cancer: 591,699

  • Chronic lower respiratory diseases: 147,101

  • Accidents (unintentional injuries): 136,053

  • Stroke (cerebrovascular diseases): 133,103

For people between the ages of 1 and 44, accidental injuries are the leading cause of death, with suicide ranking second. As people age, cancer and cardiovascular disease are greater threats.

Tuesday 30 August 2016

Summarize " I Wandered Lonely as a Cloud" By William Wordsworth and note the metaphors found in the work.

William Wordsworth's poem, "I Wandered Lonely as a Cloud" represents what the poet describes in his preface to his Lyrical Ballads as "emotion recollected in tranquility."


In this poem, the speaker recalls a purposeless walk he once had. He wandered in his loneliness until he met "a host" of daffodils, "fluttering and dancing" as though they were angelic presences. 


The speaker describes these lovely golden daffodils that were in the tens of thousands, just like...

William Wordsworth's poem, "I Wandered Lonely as a Cloud" represents what the poet describes in his preface to his Lyrical Ballads as "emotion recollected in tranquility."


In this poem, the speaker recalls a purposeless walk he once had. He wandered in his loneliness until he met "a host" of daffodils, "fluttering and dancing" as though they were angelic presences. 


The speaker describes these lovely golden daffodils that were in the tens of thousands, just like the thousands of stars in the constellations. They stretched along the shore of a bay, "[T]ossing their heads in sprightly dance" much like dancers (In more modern times they might be likened to chorus girls.) The waves beside them also "danced" in a personified "glee" to such an extent that a "poet could not but be gay." All this the poet watched, but he did not realize "the wealth" of joy and beauty that was brought to him until later when he lay upon his couch, and his memory served him again this delightful experience, filling his heart with pleasure as it dances with the daffodils. 


In this delightful poem, Wordsworth employs a few metaphors (unstated comparisons between two unlike things). Here are three metaphors:


 --"sprightly dance" (line 12) = an unstated comparison of the movement of the daffodils in the wind to a dance. 
--"inward eye" (line 21) = an unstated comparison between one's memory and an eye in the mind. 
--"a jocund company" (line 16) = an unstated comparison between the many daffodils and their being a cheerful, light-hearted group when one is in their presence.

What is immigration and how can it help or hurt an existing country? Be specific in your response and break down why Americans believe immigrants...

Immigration is a term that describes someone who relocates to a foreign country with the intention of residing there permanently. Immigration can have both a positive and negative impact on a country. This is evident in history. Below are examples of both positive and negative impacts, both historically and today:

Positive:


-  Immigrants helped to settle the American West and the Canadian West. For example, immigrants from Eastern Europe traveled far distances to settle in the West and become farmers. It was a long and often arduous journey that most people did not want to endure.


-  In East Coast towns and cities, immigrants took low-paying factory jobs. Their work helped fuel the Industrial Revolution.  


-  Immigration encourages diversity.


-  Some immigrants come from war-torn countries or places where there is extreme poverty. This was true historically, and is still true today. Immigration gave them opportunities that they may not have had before.


Negative:


-  Historically, some immigrant groups have been slow to assimilate. This can be viewed as both negative and positive.


-  Often, immigrants bring different views and social mores to a country. These views and norms can sometimes conflict with those of the culture and laws in their new country.


-  Criminals can enter a country through immigration and break laws in their new country.


-  Economists often debate about the impacts of immigration on the economy. In the modern economy, immigrants frequently take low-wage jobs. If they are working illegally, they are paid in cash and not taxed. Immigrants working illegally use government services (such as schools), but do not contribute income tax dollars to support them.


Much of the debate today in the United States centers around immigrants from Central and South America. Those who work illegally in the US take undocumented jobs with low pay. An example of this is farm workers. Many native people do not want to accept pay that is less than minimum wage. Despite this, there is debate about a lack of contribution of tax dollars from undocumented workers.


There are several arguments amongst Americans about immigrants taking jobs that otherwise would be done by native workers. Immigrants who legally can work in the US may have jobs that might be more desirable to a larger number of people. Some economists argue that immigrants and poorly educated, low-skill native workers have to compete for the same jobs. This increases the pool of applicants and makes it more difficult for both groups to get hired. Also, it makes it so that there is a larger pool of unemployed low-skill workers with no college education (both native and non-native) and smaller pools of workers for higher-paying jobs with higher skill requirements. Some economists argue that this creates an imbalance in the economy. Over the last decade, there have been reports of higher job growth for non-native workers than native workers. These are some of the reasons why there is debate about immigrant workers taking jobs from native workers.

What are the main themes in Bapsi Sidhwa's novel Cracking India?

One of the main themes in this novel is the absurd way in which the Partition of India was carried out in 1947 to create India and Pakistan. The main character, Lenny, lives a privileged life in Lahore, so she finds herself suddenly becoming Pakistani as India is divided into India and Pakistan. The Partition process is accompanied by ethnic violence, and ethnic and religious strife is also one of the themes of the book.


...

One of the main themes in this novel is the absurd way in which the Partition of India was carried out in 1947 to create India and Pakistan. The main character, Lenny, lives a privileged life in Lahore, so she finds herself suddenly becoming Pakistani as India is divided into India and Pakistan. The Partition process is accompanied by ethnic violence, and ethnic and religious strife is also one of the themes of the book.


Another main theme is the treatment of women and the intersection of gender and class. Ayah, Lenny's beloved nanny with whom Lenny spends most of her days, is a seductive lower-class woman who exercises a great deal of sexual power in a society that often demeans women. In fact, Ayah's suitors are Muslim, Hindu, and Sikh, showing the power of her seduction to smooth over ethnic divides. It is through Ayah that Lenny, from a wealthy family, learns about the ways in which women in other classes live. Ayah is abducted and raped, and she is forced to marry a man she does not love as a result. Pappoo, a girl from a poor background who is beaten by her mother, is also forced into a loveless marriage, and her story is a contrast with that of the cosseted Lenny. Women in the lower classes live very differently than Lenny does. 

Monday 29 August 2016

`int cos(5theta)cos(3theta) d theta` Find the indefinite integral

Indefinite integrals are written in the form of `int f(x) dx = F(x) +C`

 where:` f(x)` as the integrand


           `F(x)` as the anti-derivative function 


           `C`  as the arbitrary constant known as constant of integration


For the given problem `int cos(5theta)cos(3theta) d theta` has an integrand in a form of a trigonometric function. To evaluate this, we apply the identity:


`cos(X)cos(Y) =[cos(X+Y) +cos(X-Y)]/2`


The integral becomes:


`int cos(5theta)cos(3theta) d theta = int[cos(5theta+3theta) + cos(5theta -3theta)]/2 d theta`


 Apply the basic properties of integration:` int c*f(x) dx= c int f(x) dx` .


`int[cos(5theta+3theta) + cos(5theta -3theta)]/2d theta = 1/2int[cos(5theta+3theta) + cos(5theta -3theta)] d theta`


 Apply the basic integration property: `int (u+v) dx = int (u) dx + int (v) dx` .


`1/2 *[int cos(5theta +3theta)d theta+cos(5theta -3theta)d theta]`


Then apply u-substitution to be able to apply integration formula for cosine function:` int cos(u) du= sin(u) +C` .


For the integral: `int cos(5theta +3theta)d theta` , we let ` u =5theta +3theta =8theta` then `du= 8 d theta` or `(du)/8 =d theta` .


`int cos(5theta +3theta)d theta=int cos(8theta)d theta`


                                 `=intcos(u) *(du)/8`


                                 `= 1/8 int cos(u)du`


                                 `= 1/8 sin(u) +C`


Plug-in `u =8theta` on `1/8 sin(u) +C` , we get:


`int cos(5theta +3theta)d theta=1/8 sin(8theta) +C`


 For the integral: `intcos(5theta -3theta)d theta` , we let `u =5theta -3theta =2theta` then `du= 2 d theta` or `(du)/2 =d theta` .


`int cos(5theta -3theta)d theta = intcos(2theta) d theta`


                                `=intcos(u) *(du)/2`


                                `= 1/2 int cos(u)du`


                                `= 1/2 sin(u) +C`


Plug-in `u =2 theta` on `1/2 sin(u) +C` , we get:


`intcos(5theta -3theta)d theta =1/2 sin(2theta) +C`


Combing the results, we get the indefinite integral as:


`int cos(5theta)cos(3theta)d theta = 1/2*[1/8 sin(8theta) +1/2 sin(2theta)] +C`


or   `1/16 sin(8theta) +1/4 sin(2theta) +C`

What is the speaker's mood in lines 1-2 and how does it change when the speaker sees the daffodils?

Stanza one of Wordsworth's poem reads:



I wandered lonely as a cloud 


That floats on high o'er vales and hills, 


When all at once I saw a crowd, 


A host, of golden daffodils; 


Beside the lake, beneath the trees, 


Fluttering and dancing in the breeze. 



In lines one and two the speaker, or person narrating the poem (not necessarily the author of the poem), explains that he was "wandering lonely." The speaker uses a simile...

Stanza one of Wordsworth's poem reads:



I wandered lonely as a cloud 


That floats on high o'er vales and hills, 


When all at once I saw a crowd, 


A host, of golden daffodils; 


Beside the lake, beneath the trees, 


Fluttering and dancing in the breeze. 



In lines one and two the speaker, or person narrating the poem (not necessarily the author of the poem), explains that he was "wandering lonely." The speaker uses a simile to compare their movement to the movement of a cloud floating above rolling hills. At that moment, a transition happens as he suddenly notices a great number, which he describes as a "crowd" of daffodils. This description of the daffodils as a "crowd" or "host" is an example of figurative language. We know that this isn't literally a crowd, like a crowd of people. Yet, we understand that he is implying that there is a large number of flowers clustered in this spot. 



In the first two lines, he describes his mood as "lonely." But when he sees the flowers, he is no longer lonely. Now he is surrounded by a cluster of apparently cheerful flowers, since they are "fluttering and dancing in the breeze." This energetic diction shows the improvement that the flowers made on the speaker's mood. At first he was wandering lonely. The word wandering  implies a slowness of pace; in the same way, clouds usually glide slowly through the sky. However, the flowers are dancing in the wind. This increasing action once more emphasizes the positive progression of the speaker's mood. 

Sunday 28 August 2016

What is a good thesis statement that demonstrates how Abigail is selfish and manipulative?

A thesis statement not only introduces the topic of an essay, but also makes a specific claim about the given topic, which is then supported by details and evidence throughout the remainder of the essay. A good thesis statement regarding Abigail Williams's manipulative and selfish nature would include a claim that one could argue, using specific evidence from the text. The following thesis statements could be supported by various scenes and quotes in the play.


...

A thesis statement not only introduces the topic of an essay, but also makes a specific claim about the given topic, which is then supported by details and evidence throughout the remainder of the essay. A good thesis statement regarding Abigail Williams's manipulative and selfish nature would include a claim that one could argue, using specific evidence from the text. The following thesis statements could be supported by various scenes and quotes in the play.


1. Abigail Williams cleverly uses her "endless capacity for dissembling" in order to increase hysteria throughout the community, while simultaneously elevating her social status.


2. While Miller states that the witch trials developed from the oppressive social atmosphere of Salem, there is evidence that suggests the witch trials were a direct result of Abigail Williams's selfish personality and manipulative nature.

What three personality traits of Jem Finch are revealed in Chapter 15 of Harper Lee's To Kill a Mockingbird?

Many of Jem's best personality traits are revealed in Chapter 15 of Harper Lee's To Kill a Mockingbird. One of the most important traits revealed is protectiveness. More specifically, he demonstrates devotion to protecting his own, such as his father. While demonstrating devotion to protect, he also demonstrates bravery and sheer stubbornness.

Jem very easily senses danger brewing when a crowd of men gather to talk to Atticus in the front lawn one evening. Though Atticus insists he was not being and would not be threatened by a mob, Jem continues to listen to his instincts telling him danger was near. Jem becomes so uneasy that, after Atticus leaves the house at a suspicious time and carrying a suspicious light bulb attached to an extension cord, Jem refuses to go to bed and instead dresses to leave the house as well, telling Scout, "Scout ... I'm scared. ... Scared about Atticus. Somebody might hurt him." After that, Jem, Scout, and Dill leave to go downtown to try and see what Atticus is up to.

Once Jem sees that a mob has approached Atticus as he guards the jail door and Scout makes her presence known, Jem displays an urgent desire to protect and a great deal of bravery by refusing to go home. Four times Atticus orders and begs Jem to go home, but all four times Jem refuses, which also shows his determination and stubbornness. Though Atticus had feared for the children's safety, after Scout saves the day with her naive friendly conversation with Walter Cunningham, Atticus expresses his appreciation of Jem's determination to protect, bravery, and stubbornness, as Scout describes in the following:


Atticus and Jem were well ahead of us, and I assumed that Atticus was giving him hell for not going home, but I was wrong. As they passed under a streetlight, Atticus reached out and massaged Jem's hair, his one gesture of affection. (Ch. 15)



Hence, in assertively striving to protect Atticus, Jem demonstrates he possesses the traits of protectiveness, bravery, and stubbornness, all traits he shares with his father, and all traits his father is very proud to learn Jem possesses.

Is there consistency in the Wife of Bath's arguments?

There is consistency in the Wife of Bath's arguments regarding marriage. She claims that there is nothing wrong with her five marriages and that choosing to marry can make one as morally or spiritually sound as choosing chastity. Her contemporary medieval society would have the Wife join a convent after the death of her first husband, but she argues that she can be just as religious while marrying again. She is certainly defending her actions and...

There is consistency in the Wife of Bath's arguments regarding marriage. She claims that there is nothing wrong with her five marriages and that choosing to marry can make one as morally or spiritually sound as choosing chastity. Her contemporary medieval society would have the Wife join a convent after the death of her first husband, but she argues that she can be just as religious while marrying again. She is certainly defending her actions and her successive marriages more than marriage itself, yet she is consistent in the arguments she makes.


She uses the Bible to justify marriage and even to justify intimacy. She tells the pilgrims that marriage can be beneficial for women, though in her examples, it is not so beneficial for men. Women can gain independence and even land and money through marriage, and they can use sex to have power over their husbands as well. She demonstrates this with the stories of her five husbands. The actual story she chooses to tell the pilgrims for her tale is a medieval romance that emphasizes that the key to a happy marriage is for the man to allow his wife to have control.


Her arguments are consistent with her story, though they are not consistent with the moral and social expectations of the times. She is anachronistic in her overt feminism, yet she still charms the narrator and some of the other pilgrims on the journey as she looks for her next husband.

Saturday 27 August 2016

How does "The Scarlet Ibis" show that the narrator had mixed emotions about Doodle since the boy's birth?

I suggest looking at paragraphs three, four, and five for information about how Brother feels about Doodle's birth and having a brother.  


Paragraph four describes how Brother is very excited about the possibility of having a brother.  A brother would give him a buddy to play with.  Brother tells readers that he desperately wants somebody to run, jump, and climb stuff with.  That makes perfect sense.  Brother is six years old, and he's really...

I suggest looking at paragraphs three, four, and five for information about how Brother feels about Doodle's birth and having a brother.  


Paragraph four describes how Brother is very excited about the possibility of having a brother.  A brother would give him a buddy to play with.  Brother tells readers that he desperately wants somebody to run, jump, and climb stuff with.  That makes perfect sense.  Brother is six years old, and he's really active.  When Doodle is born, Brother can't help but be excited about finally having a playmate.  


That excitement is mixed with disappointment though.  



He was born when I was six and was, from the outset, a disappointment.



Doodle is physically disabled, and the family suspects that he is also mentally disabled.  Brother has built up in his head an ideal of what having a brother will be like, and with Doodle's limitations, Brother realizes that his hopes have been dashed.  Brother even admits that he is willing to accept Doodle's physical limitations, but he is not willing to accept the mental limitations.  



It was bad enough having an invalid brother, but having one who possibly was not all there was unbearable . . .



That's why Brother plans to kill Doodle.  That's dark; however, those feelings of doom and gloom are immediately replaced with joy and hope once Brother realizes that his parents are wrong.  Doodle is mentally just fine.  



However, one afternoon as I watched him, my head poked between the iron posts of the foot of the bed, he looked straight at me and grinned. I skipped through the rooms, down the echoing halls, shouting, "Mama, he smiled. He's all there! He's all there!" and he was.


Select an author from The Literary 100 list and give a brief (100-200 word) statement about the author's overall importance. I chose Edgar Allen...

The work of John Milton represents the ultimate synthesis of the two foundational elements of Western culture: Greco-Roman civilization and Christianity. It is in his sublimely skillful fusion of such disparate elements that Milton's true greatness lies.


In his timeless works, Milton tapped into the rich seam of pagan literature to give life to his Christian moral vision. In writing his magnum opus Paradise Losthe consciously set out to emulate the epic visions of Homer...

The work of John Milton represents the ultimate synthesis of the two foundational elements of Western culture: Greco-Roman civilization and Christianity. It is in his sublimely skillful fusion of such disparate elements that Milton's true greatness lies.


In his timeless works, Milton tapped into the rich seam of pagan literature to give life to his Christian moral vision. In writing his magnum opus Paradise Lost he consciously set out to emulate the epic visions of Homer and Virgil, not just in their massive scale, but also in the acuteness of their deep understanding of human nature. Milton takes us on a journey through biblical Paradise, but as with Dante in the Divine Comedy, it was Virgil who led him to the gates.


In his work Samson Agonistes, Milton takes the well-known story of Samson from the Old Testament and turns it into a Greek tragedy, complete with brutal violence, bloodshed, and a chorus. Milton does full justice to the Scripture and to the Greeks while subtly changing both. Once again, he achieves a truly remarkable synthesis, combining a thundering Christian morality with the catharsis of Greek tragedy to create something new that transcends both elements.


Milton's work lives on in each new generation, rising as it does from humanity's very deepest roots.

Friday 26 August 2016

Define extremist political organizations.

The problem with defining the term "extremist political organization" is that it is by nature one applied only in the second or third person. In other words, the word "extremism" is one we do not use to describe ourselves but only use to denigrate the beliefs of people whose ideologies or actions differ from our own. Also, what is considered "extremist" in one place or period might be regarded as normal in another place and...

The problem with defining the term "extremist political organization" is that it is by nature one applied only in the second or third person. In other words, the word "extremism" is one we do not use to describe ourselves but only use to denigrate the beliefs of people whose ideologies or actions differ from our own. Also, what is considered "extremist" in one place or period might be regarded as normal in another place and period. For example, the extremist colonial rabble that rebelled against the British Empire are now admired by many as the Founding Fathers of the United States. Early Christians, now revered by some as founders of a major world religion, were once considered atheists because of their refusal to participate in official cults, religious extremists, and generally barbaric.


It is important to note that the winners write the histories, and thus construct themselves as "moderate" and their opponents as "extremist".


In today's media, the term extremist is usually used to refer to people whose ideological positions and political actions are at odds with the social, political, or religious norms of the countries in which they are situated. For example, in China, human rights activists are condemned as "extremists" and in Putin's Russia, advocates of freedom of speech and free elections are denounced as extremists. In western media, the two groups most often labeled "extremist" are neo-Nazis and Islamist groups such as ISIS, which not only represent atypical political positions but often advocate or practice violent forms of rebellion or protest rather than working within existing systems for political change.

What is the bliss of solitude?

The phrase "bliss of solitude" appears in the final stanza of "I Wandered Lonely as a Cloud." Wordsworth writes that "They flash upon that inward eye/Which is the bliss of solitude." The "they" the line refers to are the golden daffodils alongside the lake that appear in the first stanza of the poem. 

In his "Preface to Lyrical Ballads," Wordsworth discusses "emotion recollected in tranquillity." The daffodils represent the source of this type of emotion, as the poet recalls them as he lies alone upon his couch in a state of contemplation. The Romantics, including Wordsworth, believed that nature was the source of a great emotional response in individuals. By enjoying the "bliss of solitude," or the quiet contemplation that allows people to think about and understand their emotions, individuals can arrive at a state of transcendence. This is the "bliss" that Wordsworth refers to. Only by contemplating beauty and the sensations that nature produces in private can individuals have this type of transcendent experience. 

What vocabulary words are significant in "The Swimmer's Moment"? What is a theme statement for the poem? What questions does it raise?

You should read the poem to determine which words are unfamiliar to you. One word that is used in a slightly different way than usual is "contesting." In this poem, the word "contesting" means to fight against something. Another unusual word is "boon," meaning something good or beneficial. At the end of the poem, the word "estuary" appears, which means the place where a stream meets the tide. There might be other words that are...

You should read the poem to determine which words are unfamiliar to you. One word that is used in a slightly different way than usual is "contesting." In this poem, the word "contesting" means to fight against something. Another unusual word is "boon," meaning something good or beneficial. At the end of the poem, the word "estuary" appears, which means the place where a stream meets the tide. There might be other words that are unfamiliar to you; by defining them and getting their exact meaning, you can read the poem more accurately and figure out the poem's precise meaning.


The theme of this poem is that people must face their challenges, which are symbolized by the whirlpool. Some people merely stay on the outside of the whirlpool, but then they never know the secrets of those who have entered the whirlpool. People on the outside never know what others have experienced by facing the whirlpool.


You should think about the questions you have as you read this poem. Do you wonder, for example, why the author chose the whirlpool as a symbol for challenges? It is true that a whirlpool can present a challenge, but it can also be deadly. Do you think this is a fitting symbol for a challenge?

What is an analysis of A Different Mirror?

There is an excellent analysis of A Different Mirror available —I will link this in the sources at the bottom of this question. 


In brief, though, this is a US history with a unique approach, with the author, Ronald Takaki, choosing to revisit American history from a different point of view. Where much of American history focuses on the idea of the New World as seen by the white Europeans who settled there and...

There is an excellent analysis of A Different Mirror available —I will link this in the sources at the bottom of this question. 


In brief, though, this is a US history with a unique approach, with the author, Ronald Takaki, choosing to revisit American history from a different point of view. Where much of American history focuses on the idea of the New World as seen by the white Europeans who settled there and "shaped" it, Takaki's book tries to break away from the idea that US history should be centered around these white people. Rather, all settlers in the US bring their own history, and their own starting points, to the American story and to American culture.


One of Takaki's primary concerns is that the standard view of American history equates having darker skin with being less "sophisticated," a view which led to Native Americans, black slaves, the Chinese, and other groups being treated harshly and considered savage or inferior. Evidently, this was a prevailing view in the eighteenth century and earlier and did inform American behavior towards these people, but it also, Takaki shows, informs our ongoing view of American history. This is something the book seeks to combat.


Effectively, Takaki's book is a refreshing new answer to the question, "What is an American?" The language used by white settlers in America to describe the indigenous people was similar to that used by the mainland British to describe the Irish—the language of oppression, enabling and justifying violence by depicting these people as deserving of it. Takaki tracks how these similarities play into the treatment of the Irish in America. He also considers how the growing racist ideology in the US affected the experiences of groups who now constitute a significant part of the overall demographic, including Mexicans, Jews, Chinese, and many more. Takaki seeks to explain why every single one of these groups is as thoroughly American, and as much a contributor to the culture as it now stands, as any other.

Why is Marbury v. Madison important in the American political system?

The landmark case of Marbury v. Madison (1803) is important because it established the principle of judicial review within the American political system. Essentially, the Supreme Court, in its ruling, arrogated to itself the right to strike down legislation deemed to be unconstitutional.


Prior to the Supreme Court's ruling there was no mechanism available by which laws could be voided on constitutional grounds. As such, the Supreme Court previously had a relatively minor role within...

The landmark case of Marbury v. Madison (1803) is important because it established the principle of judicial review within the American political system. Essentially, the Supreme Court, in its ruling, arrogated to itself the right to strike down legislation deemed to be unconstitutional.


Prior to the Supreme Court's ruling there was no mechanism available by which laws could be voided on constitutional grounds. As such, the Supreme Court previously had a relatively minor role within the American political system. That changed with Marbury v. Madison. From then on, the Supreme Court, in addition to its strictly judicial function, would take on a more overtly political role. Then as now, this was an immensely controversial development. It seemed that unelected judges were exceeding the bounds of their authority in making decisions that had traditionally been the exclusive preserve of the states or the U.S. Congress.

Thursday 25 August 2016

What is an analysis of the character of Brick and the social issues he faces?

Brick (also known as Jamie) is one of the central characters in Heidi W. Durrow's 2010 novel The Girl Who Fell From the Sky. There's a lot to talk about with respect to his character and the social issues around him. Here, we'll go over a few specific examples of moments in the novel that reveal elements of his personality and/or the social milieu he lives in.

The story opens with a major event. Young Brick is looking out the window when he sees what appears to be a large bird flying by. Shortly, he realizes it wasn't a bird but a human being (several, in fact: a neighbor family has leapt from the heights of the building). Brick is scarred by the sight of the dead mother and child splayed across the sidewalk outside the building.


Right off the bat, we learn a lot about Brick and his setting. He's a bird enthusiast, for starters, and he's sensitive: he's deeply affected by the sight of the family. We also get a sense for the kind of world Brick lives in. He lives with his drug-addicted mother in a poor area of Chicago. The woman who jumped from the building, we'll learn, was also addicted to drugs. Both families have mixed-race children, which will turn out to be a major theme in the book. Brick and Rachel (the only survivor of the family's jump from the building) will both struggle with their identities and whether to identify as black or white.


Let's look at an example of this kind of racial self-identification. Later in the story, after Rachel and Brick have become acquainted, she asks him about his racial background:



“What are you? Like black, or—like me?” Rachel asks.


“Oh, I’m black. Regular,” is his answer.



Unlike Rachel, who doesn't know where she belongs (she has light brown skin and her Danish mother's blue eyes, so she feels like she doesn't fit in with either the black or white girls at school), Brick is relatively untroubled by his racial background. In fact, he points out to Rachel that she would be more comfortable identifying as black if she didn't have blue eyes:



“Do you think people would ask you that if you didn’t have your mother’s eyes?” 



Let's look at a third example in the novel that helps us to understand Brick's character and the social issues he faces. When the story opens, Brick is not called Brick: he is Jamie. He decides to start going by the name "Brick" because he likes the strong sound of it, especially as a young boy. 


But later in the book, when Brick has grown taller and bigger (and is living on the streets, as he's run away from home), he finds that he doesn't need to look or sound any stronger than he is. As an adult black man, he needs to downplay his potentially threatening image in order to survive. This detail speaks to the social setting that he lives in and that, unfortunately, is still very much the case today: being a young black man can be dangerous, regardless of what you do, merely because of the way that other people might perceive you.

Would Biodiesel production be a good business to start? Could it generate a lot of profits?

Biodiesel is the fuel derived from either plants or animals. Typically used sources include, rapeseed, soybean oil, jatropha, coconut, peanut, animal fats, algae, etc. Biodiesel is a direct competitor of diesel and can also substitute fossil fuels for other requirements, such as heating. Fossil fuels are available in limited quantity and are unequally distributed geologically. This has resulted in several energy crises in last few decades and several countries are working towards viable alternatives. Biodiesel...

Biodiesel is the fuel derived from either plants or animals. Typically used sources include, rapeseed, soybean oil, jatropha, coconut, peanut, animal fats, algae, etc. Biodiesel is a direct competitor of diesel and can also substitute fossil fuels for other requirements, such as heating. Fossil fuels are available in limited quantity and are unequally distributed geologically. This has resulted in several energy crises in last few decades and several countries are working towards viable alternatives. Biodiesel is one such alternative and also helps in reduction of carbon monoxide and sulfur. The global production of biodiesel is rising very rapidly and production of biodiesel is a pretty good business to start.


There are few concerns with biodiesel production though. The sources of biodiesel, especially the plant sources, are cultivated at the expense of food crops (in many places). There are regulatory norms for the production and use of biodiesel in several countries and others need to develop them. Even though biodiesel does not produce carbon monoxide and sulfur, there are still emissions of carbon dioxide, which other alternate sources of energy (such as solar and wind power) do not. Not all the blends of biodiesel can be used without modifications in the existing engines. These concerns should be considered and addressed before entering into this business.


Hope this helps.  

Wednesday 24 August 2016

`y=x^(2/3), y=0, x=8` Find the x and y moments of inertia and center of mass for the laminas of uniform density `p` bounded by the graphs of...

For an irregularly shaped planar lamina of uniform density `rho` , bounded by graphs `y=f(x)` ,`y=g(x)` and `a<=x<=b` , the mass (m) of this region is given by:


`m=rhoint_a^b(f(x)-g(x))dx=rhoA`


where A is the area of the region.


The moments about the x and y-axes are given by the formula:


`M_x=rhoint_a^b1/2([f(x)]^2-[g(x)]^2)dx`


`M_y=rhoint_a^bx(f(x)-g(x))dx`


The center of mass `(barx,bary)` is given by `barx=(M_y)/m`  and `bary=M_x/m` ,


`barx=1/Aint_a^bx(f(x)-g(x))dx`


`bary=1/Aint_a^b1/2[f(x)]^2-[g(x)]^2)dx`


Now we given `y=x^(2/3),y=0,x=8`


The plot of the functions is attached...

For an irregularly shaped planar lamina of uniform density `rho` , bounded by graphs `y=f(x)` ,`y=g(x)` and `a<=x<=b` , the mass (m) of this region is given by:


`m=rhoint_a^b(f(x)-g(x))dx=rhoA`


where A is the area of the region.


The moments about the x and y-axes are given by the formula:


`M_x=rhoint_a^b1/2([f(x)]^2-[g(x)]^2)dx`


`M_y=rhoint_a^bx(f(x)-g(x))dx`


The center of mass `(barx,bary)` is given by `barx=(M_y)/m`  and `bary=M_x/m` ,


`barx=1/Aint_a^bx(f(x)-g(x))dx`


`bary=1/Aint_a^b1/2[f(x)]^2-[g(x)]^2)dx`


Now we given `y=x^(2/3),y=0,x=8`


The plot of the functions is attached as image and the bounds of the limits can be found from the same.


Area of the region A =`int_0^8x^(2/3)dx`


Use the power rule,


`A=[x^(2/3+1)/(2/3+1)]_0^8` 


`A=[3/5x^(5/3)]_0^8`


`A=[3/5(8)^(5/3)]`


`A=[3/5(2^3)^(5/3)]`


`A=[3/5(2)^5]`


`A=(3/5(32))`


`A=96/5`


Now let's evaluate the moments about the x and y-axes,


`M_x=rhoint_a^b1/2([f(x)]^2-[g(x)]^2)dx`


`=rhoint_0^8[1/2(x^(2/3))^2]dx`


`=rhoint_0^8 1/2x^(4/3)dx`


Take the constant out and apply the power rule,


`=rho/2int_0^8x^(4/3)dx`


`=rho/2[x^(4/3+1)/(4/3+1)]_0^8`


`=rho/2[3/7x^(7/3)]_0^8`


`=rho/2[3/7(8)^(7/3)]`


`=rho/2[3/7(2^3)^(7/3)]`


`=rho/2[3/7(2)^7]`


` ` `=rho(3/7)(2)^6`


`=rho(3/7)(64)`


`=192/7rho`


`M_y=rhoint_a^bx(f(x)-g(x))dx`


`=rhoint_0^8x(x)^(2/3)dx`


`=rhoint_0^8x^(5/3)dx`


`=rho[x^(5/3+1)/(5/3+1)]_0^8`


`=rho[3/8x^(8/3)]_0^8`


`=rho[3/8(8)^(8/3)]`


`=rho[3/8(2^3)^(8/3)]`


`=rho[3/8(2^8)]`


`=rho(3/8)(256)`


`=96rho`


Now let's find the center of mass,


`barx=M_y/m=M_y/(rhoA)`


Plug in the value of `M_y` and  `A` ,


`barx=(96rho)/(rho(96/5))`


`barx=5`


`bary=M_x/m=M_x/(rhoA)`


Plug in the values of `M_x` and `A` ,


`bary=(192/7rho)/(rho(96/5))`


`bary=(192/7)(5/96)`


`bary=10/7`


The coordinates of the center of mass are,`(5,10/7)`


A soccer ball is kicked from the playing field at a 45° angle. If the ball is in the air for 3 s, what is the maximum height achieved?

Hello!


Denote the angle as `alpha,` the initial speed as `V` and the given time as `T.`


I suppose we ignore air resistance. Then the only force acting on the ball is the gravity force, it is directed downwards and gives the acceleration `g = 9.8 m/s^2` to the ball.


The vertical component of the velocity uniformly decreases with time `t` from `V sin(alpha)` with the speed `g,` so it is equal to `V sin(alpha)...

Hello!


Denote the angle as `alpha,` the initial speed as `V` and the given time as `T.`


I suppose we ignore air resistance. Then the only force acting on the ball is the gravity force, it is directed downwards and gives the acceleration `g = 9.8 m/s^2` to the ball.


The vertical component of the velocity uniformly decreases with time `t` from `V sin(alpha)` with the speed `g,` so it is equal to `V sin(alpha) - g t.` The height itself is equal to `H(t) = V sin(alpha) t - (g t^2)/2.` At the time `T` the velocity is zero, i.e. `V sin(alpha)T =(g T^2)/2,` or `V sin(alpha) = (g T)/2.`


The maximum height is reached when the vertical speed becomes zero, i.e. when `V sin(alpha) = g t.` From the above we know that this time is `T/2.`


Finally, the maximum height is


`H(T/2) =Vsin(alpha) T/2 - (g T^2)/8 =(g T^2)/4 -(g T^2)/8 =(g T^2)/8.`


Numerically it is `(9.8*9)/8 approx 11 (m).` This is the answer. Note that it doesn't depend on `alpha.`


How does Montresor describe Fortunato's actions and attitudes early in the story?

Initially, Montresor depicts Fortunato as a man who has dealt him "a thousand injuries." He describes Fortunato as boorish and "a quack," or a fraud, in some areas. He also reveals Fortunato's wish to be perceived as a veritable connoisseur.


According to Montresor, Fortunato has injured him many times, but recently Fortunato has added what Montresor terms "insults" to these purported injuries, causing Montresor to now seek revenge. But, because he does not support his exaggerated...

Initially, Montresor depicts Fortunato as a man who has dealt him "a thousand injuries." He describes Fortunato as boorish and "a quack," or a fraud, in some areas. He also reveals Fortunato's wish to be perceived as a veritable connoisseur.


According to Montresor, Fortunato has injured him many times, but recently Fortunato has added what Montresor terms "insults" to these purported injuries, causing Montresor to now seek revenge. But, because he does not support his exaggerated claims against Fortunato with real proof, Montresor is an unreliable narrator. For instance, there is no enumeration of "the thousand injuries" supposedly committed against Montresor by Fortunato. Also, Montresor may consider Fortunato boorish simply because of an ethnic bias against Italians. In one instance of this bias, Montresor claims, "few Italians have the true virtuoso spirit." Asserting that Italians feign enthusiasm in the finer things only for the sake of deceiving "British and Austrian millionaires," Montresor, nevertheless, acknowledges that although Fortunato is a "quack" like his countrymen, he has been "sincere" and knowledgeable of the Italian vintages. So, capitalizing on Fortunato's pride in his real ability as a connoisseur, Montresor lures the intoxicated man into the family catacombs on the pretext of tasting the Amontillado. 


Also in the exposition of the story, Montresor depicts Fortunato as somewhat arrogant since he wishes to be recognized by Montresor as superior to Luchesi in his abilities. For when Montresor suggests that Fortunato is too busy to come to his vaults, or when Montresor feigns concern for Fortunato's health, Fortunato insists that he is quite capable of accompanying Montresor. He tells Montresor that "the cold is merely nothing," and he asserts that he is the better judge of the Amontillado: "Luchesi . . . cannot distinguish sherry from Amontillado."

Tuesday 23 August 2016

What energy is used in swimming?

In simplest terms, the metabolic energy, or the energy produced through the process of metabolism, is used in swimming. This energy is converted into the mechanical energy that the swimmer needs to overcome the water resistance. The energy that is utilized is in the form of ATP molecules.


There are three different energy systems that come into play during the swimming:


  1. ATP-PC system

  2. Lactic Acid system

  3. Aerobic system

Initially, when the swimmer pushes off the...

In simplest terms, the metabolic energy, or the energy produced through the process of metabolism, is used in swimming. This energy is converted into the mechanical energy that the swimmer needs to overcome the water resistance. The energy that is utilized is in the form of ATP molecules.


There are three different energy systems that come into play during the swimming:


  1. ATP-PC system

  2. Lactic Acid system

  3. Aerobic system

Initially, when the swimmer pushes off the wall or jumps into the swimming pool, the ATP-PC system provides the energy for about 10 seconds. Afterwards, the lactic acid system takes over and this anaerobic energy system provides the energy for the next 30 seconds to a minute. Finally, if you continue to swim beyond this time duration, the aerobic system will take over and provide the necessary energy. 


The contribution of each of these energy systems is dependent upon the duration of swimming and has been studied by researchers. For short duration events (such as 50 m sprint), the ATP-PC system will provide most of the energy, as compared to a relatively longer event (such as 200 m freestyle), where the aerobic system will be the chief contributor to the total energy requirements.



Hope this helps. 

In Huckel's rule (4n+2), based on what do we choose the number that replaces "n" ?

This is one of the beauties of math and science.  In this case, essentially, you pick.In organic chemistry, Huckel's rule pertains to aromatic molecules, meaning:- it must be cyclic- it must be conjugated (all atoms much be able to have a pi-bond)- it must be flat


Also, it must have a certain number of pi-electrons.  That what Huckel's Rule gives, those number of pi-electrons in aromatic molecules.  Given the structures of...

This is one of the beauties of math and science.  In this case, essentially, you pick.

In organic chemistry, Huckel's rule pertains to aromatic molecules, meaning:
- it must be cyclic
- it must be conjugated (all atoms much be able to have a pi-bond)
- it must be flat


Also, it must have a certain number of pi-electrons.  That what Huckel's Rule gives, those number of pi-electrons in aromatic molecules.  Given the structures of aromatic molecules, the number of pi-electrons has to be 2, 6, 10, 14, 18, 22, etc.  That series of numbers pertains to a mathematical sequence 4n+2.  So, the "n" only pertains to whichever number of pi-electrons you are looking at.



For instance, if n = 0, 4*0+2 = 2, so 2 pi-electrons
If n = 1, 4*1+2 = 6 pi-electrons
If n = 2, 4*2+2 = 10 pi-electrons
And so on.


So, n has essentially nothing to do with anything specific.  It is simply a whole number (0, 1, 2, 3, 4, etc.)

So, a sample problem could be, "Can an aromatic molecule have 12 pi-electrons?"  You would either need to remember the sequence 2, 6, 10, 14, 22, etc.  Or, you remember 4n+2 and start to plug in the numbers like above.  When 12 doesn't show up, the answer is "no".

A link you can look at the link for more information.

Monday 22 August 2016

Who is last to go over to Jack's tribe?

At this point, we've reached chapter 11 of Lord of the Flies. Jack is now in complete control of the island, lord and master of all he surveys. As his power has grown, so Ralph's has gradually ebbed away until he is left isolated, his band of followers sorely depleted. Without Piggy's glasses it is impossible for Ralph and his group to light a fire. There's nothing for it; they will have to undertake...

At this point, we've reached chapter 11 of Lord of the Flies. Jack is now in complete control of the island, lord and master of all he surveys. As his power has grown, so Ralph's has gradually ebbed away until he is left isolated, his band of followers sorely depleted. Without Piggy's glasses it is impossible for Ralph and his group to light a fire. There's nothing for it; they will have to undertake a dangerous mission to enemy territory. So they go to Castle Rock, Jack's impregnable fortress, to try and make the enemy see sense.


But not surprisingly, Jack is in no mood for compromise. He and Ralph get into a fight, which only ends when Roger casts down a huge rock from above. The rock strikes Piggy, and he falls to his death on the rocks below. Piggy was holding the conch shell, which has now been shattered. This is deeply symbolic because the shell represents rules-based authority. Now that Jack is in charge, presiding over a savage reign of terror, all such authority has been completely destroyed. Ralph takes to his heels and escapes to the jungle. Jack and Roger set about torturing Sam and Eric, who then have no choice but to become the last of Ralph's followers to join Jack's tribe.

How is the structure of the story similar to a fairy tale?

The short story "Once Upon a Time" uses the structure of a fairy tale with its setting, narration, tone, terms, and part of the sequence of events.


As she introduces her story, Nadine Gordimer calls it "a bedtime story," suggesting that it is a children's tale. Although she does not use the phrase "Once upon a time" to begin the narration, it is used instead in the title to suggest to the reader that there...

The short story "Once Upon a Time" uses the structure of a fairy tale with its setting, narration, tone, terms, and part of the sequence of events.


As she introduces her story, Nadine Gordimer calls it "a bedtime story," suggesting that it is a children's tale. Although she does not use the phrase "Once upon a time" to begin the narration, it is used instead in the title to suggest to the reader that there will be a fairy tale. Then, the narrator employs a traditional pattern of fairy tales by starting the story with short parallel beginnings. In this story, Gordimer uses "They had." The setting is limited, too, as in a fairy tale. Also, the cadenced manner of narration is typical of a fairy tale.


Further examples of the elements of fairy tales are in "Once Upon a Time." After a few opening sentences, the narrator introduces the traditional fear of the outside world and the "witch" that are often part of fairy tales:



For when they began to live happily ever after, they were warned by that wise old witch, the husband's mother, not to take on anyone off the street.



Thus, as in fairy tales, there is a problem to be solved. The problem for the family in Gordimer's tale is about how to protect their home from outsiders whom they do not want to enter their neighborhood. However, there is a tragically ironic twist to this fairy tale, which certainly does not end with everyone living "happily ever after."

Sunday 21 August 2016

`ln2/2+ln3/3+ln4/4+ln5/5+ln6/6+...` Confirm that the Integral Test can be applied to the series. Then use the Integral Test to determine the...

Integral test is applicable if f is positive, continuous and decreasing function on infinite interval `[k,oo)` where `k>=1` and `f(n)=a_n` . Then the series `sum_(n=k)^ooa_n` converges or diverges if and only if the improper integral `int_k^oof(x)dx` converges or diverges.


Given series is `ln2/2+ln3/3+ln4/4+ln5/5+ln6/6+........`


The series can be written as `sum_(n=1)^ooln(n+1)/(n+1)`


Consider `f(x)=ln(x+1)/(x+1)`


Refer the attached graph for f(x),


From the graph, we observe that the function is positive, continuous and decreasing for `x>=2`


We can also determine whether f(x)...

Integral test is applicable if f is positive, continuous and decreasing function on infinite interval `[k,oo)` where `k>=1` and `f(n)=a_n` . Then the series `sum_(n=k)^ooa_n` converges or diverges if and only if the improper integral `int_k^oof(x)dx` converges or diverges.


Given series is `ln2/2+ln3/3+ln4/4+ln5/5+ln6/6+........`


The series can be written as `sum_(n=1)^ooln(n+1)/(n+1)`


Consider `f(x)=ln(x+1)/(x+1)`


Refer the attached graph for f(x),


From the graph, we observe that the function is positive, continuous and decreasing for `x>=2`


We can also determine whether f(x) is decreasing by finding the derivative f'(x), such that `f'(x)<0` for `x>1`


Since the function satisfies the conditions for the integral test , we can apply the same.


Now let's determine the convergence or divergence of the integral `int_1^ooln(x+1)/(x+1)dx`


`int_1^ooln(x+1)/(x+1)dx=lim_(b->oo)int_1^bln(x+1)/(x+1)dx`


Let's first evaluate the indefinite integral,`intln(x+1)/(x+1)dx`


Apply integral substitution:`u=ln(x+1)`


`=>du=1/(x+1)dx`


`intln(x+1)/(x+1)dx=intudu`


`=u^2/2+C` , where C is a constant


Substitute back `u=ln(x+1)`


`=1/2[ln(x+1)]^2+C`


`lim_(b->oo)int_1^ooln(x+1)/(x+1)dx=lim_(b->oo)[1/2(ln(x+1))^2]_1^oo`


`=lim_(b->oo)[1/2(ln(b+1))^2]-[1/2(ln(2))^2]`


`lim_(x->oo)(x+1)=oo`


`lim_(u->oo)ln(u)=oo`


`=1/2oo^2-1/2(ln(2))^2`


`=oo-1/2(ln(2))^2`


`=oo`


Since the integral `int_1^ooln(x+1)/(x+1)dx` diverges, so the given series also diverges as per the integral test.


Saturday 20 August 2016

Why is Reverend Hale considered a dynamic character?

In literature a dynamic character is one who experiences profound change. In the case of the Reverend Hale we see someone radically different at the end of the play from what he was at the start. It is this dynamism that makes him arguably the most complex and interesting character in The Crucible.


At the beginning of the play Hale is a single-minded, fanatical hunter of witches. It is his passionate conviction that Salem...

In literature a dynamic character is one who experiences profound change. In the case of the Reverend Hale we see someone radically different at the end of the play from what he was at the start. It is this dynamism that makes him arguably the most complex and interesting character in The Crucible.


At the beginning of the play Hale is a single-minded, fanatical hunter of witches. It is his passionate conviction that Salem is a veritable den of iniquity, infested by those who practice the foulest of black arts. Ominously, Hale sets a great deal of store by outward appearances:


"The devil is precise-the marks of his presence are as definite as
stone."


And he is determined to prosecute anyone who shows (in his mind at least) the slightest visible sign of conforming to his notion of what a witch looks like.


Yet Hale's outward confidence in the moral rectitude of his mission is shattered as the play progresses. For one thing, his overriding belief that there are witches round every corner leads to his being duped by the slanderous machinations of Abigail Williams. Ironically, it was Abigail who encouraged Tituba to cast a spell on Elizabeth Proctor. If anything, she is more of a witch than anybody in Salem. And with her lies and false accusations she casts a spell over Hale, though one that is eventually broken.


Although Hale is a changed man by the end of the play he's also a broken man. In a last desperate attempt to bring justice to the accused he pleads with them to confess in order to avoid execution. But by fighting lies with more lies he is simply contributing further to the toxic climate of untruth that has gripped the town. Ultimately, Hale is trapped. He wants to do the right thing, to bring justice; but he cannot truly do so without challenging the very foundations of the practice of witch-hunting to which he's devoted so much time and energy.


What is the time setting of Hoot by Carl Hiaasen?

The simple answer to this question is that Hoot, by Carl Hiaasen, is set in the present day


If we wish to be more specific, we can say that since Hootwas published in 2002, it is set in the present time of which it was written and published (2002). The objects, events, and themes of the novel are still very relevant to our own present day. Therefore, the easiest answer to...

The simple answer to this question is that Hoot, by Carl Hiaasen, is set in the present day


If we wish to be more specific, we can say that since Hoot was published in 2002, it is set in the present time of which it was written and published (2002). The objects, events, and themes of the novel are still very relevant to our own present day. Therefore, the easiest answer to this question would be that Hoot takes place during present times.   


There are many clues throughout the story that let readers know the novel is set in the present day. A few of these clues include:


1) The existence of cable and television:



Heatedly he banged a mayonnaise smeared fist on the side of the television console, to no avail. The cable had gone out in the middle of a Mother Paula's commercial!  



2) Use of modern colloquial language and slang:



"Hey, you moon somebody and that's it. You get your butt kicked"


"I don't blame you for being p.o.'ed," Roy said. 



3) Use/ existence of computers, Internet, Google, and video games:



The Eberhardts owned a home computer, which Roy was allowed to use for homework assignments and for playing video snowboard games. He was good at browsing the Internet, so with no difficulty he was able to Google up plenty of information about the burrowing owl.



Through the usage and placement of modern language and objects, Carl Hiaasen makes the novel's present day setting easy to detect.

Friday 19 August 2016

Write the complex number `z=-1-i` in polar form.

We are asked to write the complex number z=-1-i in polar form.

The polar form of a complex number is 


`z=r(cos theta + i sin theta)`


where r is the distance from the origin (the modulus or absolute value of the complex number) and theta is the angle from the positive x-axis. (Note that the angle is not unique -- you can always select an angle from 0 to 2pi or 0 to 360 degrees.)


To compute r we use 


`r=sqrt(a^2+b^2)`


where a is the real part and b is the imaginary part of the complex number. So:


`r=sqrt((-1)^2+(-1)^2)=sqrt(2)`


We can find theta by


`tan theta = b/a`


In this case we can solve the angle by inspection as 225 degrees or 5pi/4.


The polar form is:


`z=sqrt(2)(cos((5pi)/4)+isin((5pi)/4))`


An alternative is to write in Euler notation:


`z=|z|e^(i theta)=re^(i theta)`


So here we have:


`-1-i=sqrt(2)e^((i(5pi)/4))`


Note again that the angle is not unique; we can add/subtract any multiples of 2pi and still have the same point. A general solution is:


`-1-i=sqrt(2)(cos((5pi)/4 + 2pi n)+isin((5pi)/4+ 2pi n))=sqrt(2)e^(i((5pi)/4+2pi n)); n in ZZ`

Wednesday 17 August 2016

Many authors, especially African-American writers such as Alex Haley and Langston Hughes, have used their works to discuss what it truly means to...

How you will approach this question depends to a great degree on your own background and personal experience. A white, heterosexual male whose parents arrived in the US in the eighteenth century will often have a different viewpoint than a second-generation Asian-American woman or a gay Latina first-generation immigrant. The recent attempts by President Trump to ban Muslims from traveling to the US might affect how a follower of Islam would respond to this question.

Your first step would be to talk about the actual legal nature of US citizenship. If you were born on US soil or your parents are US citizens at the time of your birth, you are automatically a US citizen. If you were not a citizen at birth, you must apply for derived citizenship or naturalization. 


On the next level, one can talk about the history of the United States. Long before the Europeans arrived in the US, many Native Americans lived here and had complex and sophisticated civilizations. In an important sense, people of European descent are all foreign immigrants. Moreover, immigration into the United States came in many periods, types, and forms. For example, many people of Spanish descent lived in the Southwestern United States before that region actually became part of the US. 


For some people, the concept of being "American" will be focused on how long their families have lived in the US and for others it will be a deliberately chosen identity. Some people whose families have lived in the US for many generations may feel ideologically alienated or dispossessed in some way. 


The important issue in completing this assignment successfully will be to display an understanding of the diversity of the American population and realize that those diverse experiences and backgrounds lead to many different views about what constitutes being American. Your own position is just one of many possibilities. 

Tuesday 16 August 2016

Is Beowulf the ideal epic hero? If not, what is he lacking?

In many ways, Beowulf is the archetypal epic hero, embodying much that was held to be good about a warrior in the Anglo-Saxon context. He is brave, has superhuman strength, and respects the kingly position of Heorot, taking on the king's greatest enemy alone as a means of honoring the king. In this, he is an excellent vassal, and, later, he grows to be an excellent king, dedicated to leading his people and improving their...

In many ways, Beowulf is the archetypal epic hero, embodying much that was held to be good about a warrior in the Anglo-Saxon context. He is brave, has superhuman strength, and respects the kingly position of Heorot, taking on the king's greatest enemy alone as a means of honoring the king. In this, he is an excellent vassal, and, later, he grows to be an excellent king, dedicated to leading his people and improving their lives. The key example of Beowulf's bravery is, of course, the section in which he fights and defeats Grendel, which puts him in extreme personal danger, as a service to Heorot.


Beowulf's military strength, however, is inherently tied to his key weakness: his "ofermod," or over-confidence. We can detect the suggestion of this early in the poem, when he boasts of his previous exploits: heroic boasting is a key part of Anglo-Saxon warrior culture, but there is some indication that Beowulf exaggerates in order to build up his personal reputation. He may have superhuman strength, but is it really possible that he could hold his breath underwater for as long as he claims? Where a truly ideal hero would perform his feats selflessly, the use of the word "ofermod" in connection to Beowulf's decision to fight the dragon alone is telling: it suggests that the poet feels Beowulf is not pure in his motives. That is, Beowulf does want to save his people from the dragon, but he is also driven by the desire to increase his own reputation, and this need for personal reputation ultimately leads to his death.

Monday 15 August 2016

What are the ethos,logos,and pathos of chapters 1-4 in Frederick Douglass, an American Slave

Ethos, pathos, and logos refer to three modes of persuasion, or persuasive appeals. They deal with the manner in which a speaker (or author) tries to draw their audience toward their point of view. 

Briefly, ethos appeals to the ethics, or moral standards, of the reader. This is when speakers suggest reasons why they can be trusted and relied upon.


Ex: That teacher has never had a student fail their final exams, and he always speaks kindly to students.


Pathos appeals to the listener's emotions, or feelings:


Ex: Don't be the only student who fails the exam; study, because you can pass the test!


Logos appeals to the logic of the listeners:


Ex: Over 50% of consumers agree that this new product is the most comfortable pillow in our modern world. 


Frederick Douglass began his speaking career as fugitive slave, meaning a slave who had run away to the north. His mother was a slave and his father was an unknown white man. He was raised by his grandparents and was estimated to be 23 years old when he began publicly speaking. (Many slaves and slave masters did not keep records of slaves' birth dates.) He explains in chapter one



"I have no accurate knowledge of my age, never having seen any authentic record containing it. "



He soon became a well-known speaker, as well as a prolific writer; he wrote three autobiographies, recounting major events of his life. His primary purpose in writing was to share his story, in the hopes of aiding the abolition movement. He wanted to show the horrors of slavery and to see it discontinued, or abolished, in the United States. 


One example of ethos in the text is seen in chapter two: 



"My master's son-in-law, Captain Auld, was master of the vessel; she was otherwise manned by the colonel's own slaves. Their names were Peter, Isaac, Rich, and Jake. These were esteemed very highly by the other slaves, and looked upon as the privileged ones of the plantation; for it was no small affair, in the eyes of the slaves, to be allowed to see Baltimore."



Here, readers learn about Douglass's life at his first master's house. First, we hear about his master's family. Then, we hear about the other slaves. For instance, we hear that there were several "esteemed" slaves, who were allowed to go with Captain Auld to Baltimore on business. This shows the trustworthy nature of these slaves and their loyalty to their master. They behaved both reliably and respectably. 


An example of pathos in the text is in chapter one:



"I never saw my mother, to know her as such, more than four or five times in my life; and each of these times was very short in duration, and at night. She was hired by a Mr. Stewart, who lived about twelve miles from my home. She made her journeys to see me in the night, travelling the whole distance on foot, after the performance of her day's work. She was a field hand, and a whipping is the penalty of not being in the field at sunrise, unless a slave has special permission from his or her master to the contrary—a permission which they seldom get, and one that gives to him that gives it the proud name of being a kind master. I do not recollect of ever seeing my mother by the light of day. She was with me in the night. She would lie down with me, and get me to sleep, but long before I waked she was gone. Very little communication ever took place between us. Death soon ended what little we could have while she lived, and with it her hardships and suffering. She died when I was about seven years old, on one of my master's farms, near Lee's Mill."



In this passage Douglass tells the sad story of his short-lived relationship with his mother. He explains that he rarely got to see his mother because she was a slave. He evokes pity from readers as he explains their separation, both physically and emotionally. 


Finally, an example of logos in the text is seen in chapter two:



"Here, too, the slaves of all the other farms received their monthly allowance of food, and their yearly clothing. The men and women slaves received, as their monthly allowance of food, eight pounds of pork, or its equivalent in fish, and one bushel of corn meal. Their yearly clothing consisted of two coarse linen shirts, one pair of linen trousers, like the shirts, one jacket, one pair of trousers for winter, made of coarse negro cloth, one pair of stockings, and one pair of shoes; the whole of which could not have cost more than seven dollars. The allowance of the slave children was given to their mothers, or the old women having the care of them. The children unable to work in the field had neither shoes, stockings, jackets, nor trousers, given to them; their clothing consisted of two coarse linen shirts per year. When these failed them, they went naked until the next allowance-day. Children from seven to ten years old, of both sexes, almost naked, might be seen at all seasons of the year."



In this paragraph, Douglass lists specific facts about the allowances the slaves received for clothing, food, and other necessities. Rather than telling an emotional story about how cold they were in the evenings without sufficient clothing, Douglass lists exactly what items slaves were given. He expects that readers will draw their own conclusions about whether the slaves' needs were met.


Ultimately, Douglass employs ethos, pathos, and logos to compile his life story and persuade others of the evils of slavery.

How does Crane use color to convey imagery?

In the opening paragraph of "A Mystery of Heroism," Crane's narrator describes the sky as blue, the firing of artillery as streaks of red against the sky, and the white duck trousers of the soldiers standing out as they ran and grouped together. All three colors of the American flag are evoked from the start, subtly communicating to the reader that the men in this war are all Americans—and are fighting against each other.


"Green...

In the opening paragraph of "A Mystery of Heroism," Crane's narrator describes the sky as blue, the firing of artillery as streaks of red against the sky, and the white duck trousers of the soldiers standing out as they ran and grouped together. All three colors of the American flag are evoked from the start, subtly communicating to the reader that the men in this war are all Americans—and are fighting against each other.


"Green grass" and "green woods" contrast with the gray of a shelled house and gray smoke in the air to contrast the vibrancy of nature with the waste of war. Red punctuates the narrative frequently, seen in "the crimson terror of an exploding shell" and the "flying arrows, flaming red" that Collins sees. Crane works to offer readers a strong visual sense of the chaos of a battle fought on farmland where "brown earth was being flung in monstrous handfuls."

Sunday 14 August 2016

What is the energy stored in an elastic band or string known as?

In order to define the type of energy stored in an elastic band or spring, one must further explore the larger concept of potential energy. Potential energy is any stored energy that has the potential later to do work. Potential energy comes from the position at which an object is located. As one can imagine, based on this definition, potential energy can come in many different forms.


One example of potential energy is an object...

In order to define the type of energy stored in an elastic band or spring, one must further explore the larger concept of potential energy. Potential energy is any stored energy that has the potential later to do work. Potential energy comes from the position at which an object is located. As one can imagine, based on this definition, potential energy can come in many different forms.


One example of potential energy is an object that is stationary on a hill. This object has potential energy due to the force gravity is exerting on it. If the object begins to roll down the hill, potential energy turns into kinetic energy as gravity pulls the object downward. This is known as gravitation potential energy. Objects may also have potential energy based on their location within a magnetic or electrical field, known as magnetic potential energy and electrical potential energy respectively.  More specific to your question, energy stored in an elastic band or string is known as elastic potential energy, and is generated by deforming the original shape of an elastic object.  Hope this helps!

What are the conflicts that have occurred with Western health care for Native Americans?

Government studies have concluded that healthcare outcomes and patient satisfaction tend to be less positive for Native Americans than for other demographics. There are a number of reasons for this, but the most general cause cited is mistrust of Western medicine and doctors. This attitude of mistrust implies that Native Americans may be less likely to obtain regular checkups, and less likely to follow up on doctors' instructions when diagnosed with a particular condition. But...

Government studies have concluded that healthcare outcomes and patient satisfaction tend to be less positive for Native Americans than for other demographics. There are a number of reasons for this, but the most general cause cited is mistrust of Western medicine and doctors. This attitude of mistrust implies that Native Americans may be less likely to obtain regular checkups, and less likely to follow up on doctors' instructions when diagnosed with a particular condition. But other conflicts may arise from general quality of health on reservation communities, where poverty and unemployment tend to be pervasive. This impacts nutrition and can also be connected to increased alcohol and drug abuse, as well as increased depression and anxiety. All of these underlying factors can mean a more problematic outcome in healthcare situations.


There are also specific cultural issues that are impacting health among Native American communities, such as intergenerational anger and grief among elders who have seen their customs eroded, and a history of oppression by the American government and social institutions such as the education system.

Friday 12 August 2016

When does Scrooge realize that he was supposed to learn a lesson from the past in A Christmas Carol?

Scrooge is told by Marley that the ghosts will lead to his reclamation, and he is reflective several times during the visits to his past.

Jacob Marley tells Scrooge that he has arranged a visit by three spirits as a “chance” to escape his own fate, which was to be miserable and hopeless after death as a ghost.  Even though he resists, Scrooge is struck with emotion from the first image he sees of his past self.  Soon he starts to reflect on how he has been behaving in the present.


Although Scrooge does get emotional when seeing his childhood self, the ghost has to show him a few images of the solitary young Scrooge all alone at Christmas time before it has any real effect.  Scrooge’s first acceptance that being shown the past has meaning is when he reflects on how he treated the boy singing carols.



“What is the matter?” asked the Spirit.


“Nothing,” said Scrooge. “Nothing. There was a boy singing a Christmas Carol at my door last night. I should like to have given him something: that's all.” (Ch. 2)



Seeing himself as a child, and remembering the hard life he had, has helped Scrooge generate sympathy for children.  He compares himself to the boy signing carols, whom he harshly treated.  He begins to wish that he had treated the boy differently.  At this comment, the ghost “smiled thoughtfully.”


When Scrooge sees his younger sister again, he again reflects on the present in comparison to the past.  The ghost reminds him that his sister had a child, and Scrooge grows “uneasy in his mind” when thinking about how he treated his nephew when Fred asked him to dinner.


At Fezzywig’s warehouse, Scrooge sees his younger self enjoying a party and is lectured by the ghost on how much enjoyment was created for “but a few pounds.”  This again causes Scrooge to reflect on his treatment of those around him.



What is the matter?” asked the Ghost.


“Nothing particular,” said Scrooge.


“Something, I think?” the Ghost insisted.


“No,” said Scrooge, “No. I should like to be able to say a word or two to my clerk just now! That's all.” (Ch. 2)



After seeing how his former boss treated him, Scrooge suddenly realizes that he does not treat Bob Cratchit very well.  He feels badly about this, again, and considers what he might say to his employee. 


The only time Scrooge seemed happy was short-lived.  Following the images of the party, Scrooge is shown something he definitely does not want to relive: the time he broke up with his fiancé.  After this memory, Scrooge is forced to see Belle as an older woman, married and happy.  He does not want to face it again.



“Spirit!” said Scrooge, “show me no more! Conduct me home. Why do you delight to torture me?”


“One shadow more!” exclaimed the Ghost.


“No more!” cried Scrooge. “No more. I don't wish to see it. Show me no more!”  (Ch. 2)



He does not get his way.  The Ghost of Christmas Past makes him go.  Although he cannot help but be curious about what Belle looked like older, to hear them discuss him sitting alone while his partner is on his deathbed is too much for Scrooge.  He forces the ghost off, having had enough.


Forced to take part in Marley's experiment to reclaim him, Scrooge has several moments of self-reflection and repentance during his visits to the past.  He thinks about the poor boy, his nephew, and his fiancé.  Although Scrooge is by no means reformed, he has been forced to think about his past and learn from it.  He has two more ghosts to go through, and with each one he gets more and more receptive to the lessons they have to teach him.

`y=sqrt(x), y=0 , x=4` Find the x and y moments of inertia and center of mass for the laminas of uniform density `p` bounded by the graphs of...

For an irregularly shaped planar lamina of uniform density `(rho)` bounded by graphs `y=f(x),y=g(x)` and `a<=x<=b`  , the mass `(m)` of this region is given by,


`m=rhoint_a^b[f(x)-g(x)]dx`


`m=rhoA`  , where A is the area of the region


The moments about the x- and y-axes are,


`M_x=rhoint_a^b 1/2([f(x)]^2-[g(x)]^2)dx`


`M_y=rhoint_a^bx(f(x)-g(x))dx`


The center of mass `(barx,bary)` is given by:


`barx=M_y/m`


`bary=M_x/m`


Now we are given `y=sqrt(x),y=0,x=4`


The attached image shows the region bounded by the functions,


Now let's find...

For an irregularly shaped planar lamina of uniform density `(rho)` bounded by graphs `y=f(x),y=g(x)` and `a<=x<=b`  , the mass `(m)` of this region is given by,


`m=rhoint_a^b[f(x)-g(x)]dx`


`m=rhoA`  , where A is the area of the region


The moments about the x- and y-axes are,


`M_x=rhoint_a^b 1/2([f(x)]^2-[g(x)]^2)dx`


`M_y=rhoint_a^bx(f(x)-g(x))dx`


The center of mass `(barx,bary)` is given by:


`barx=M_y/m`


`bary=M_x/m`


Now we are given `y=sqrt(x),y=0,x=4`


The attached image shows the region bounded by the functions,


Now let's find the area of the region,


`A=int_0^4sqrt(x)dx`


`A=[x^(1/2+1)/(1/2+1)]_0^4`


`A=[2/3x^(3/2)]_0^4`


`A=[2/3(4)^(3/2)]`


`A=[2/3(2^2)^(3/2)]`


`A=[2/3(2)^3]`


`A=16/3`


Now let's evaluate the moments about the x- and y-axes,


`M_x=rhoint_0^4 1/2(sqrt(x))^2dx`


`M_x=rho/2int_0^4xdx`


`M_x=rho/2[x^2/2]_0^4`


`M_x=rho/2[4^2/2]`


`M_x=rho/2(16/2)`


`M_x=4rho`


`M_y=rhoint_0^4xsqrt(x)dx`


`M_y=rhoint_0^4x^(3/2)dx`


`M_y=rho[x^(3/2+1)/(3/2+1)]_0^4`


`M_y=rho[2/5x^(5/2)]_0^4`


`M_y=rho[2/5(4)^(5/2)]`


`M_y=rho[2/5(2^2)^(5/2)]`


`M_y=rho[2/5(2)^5]`


`M_y=rho[2/5(32)]`


`M_y=64/5rho`


The coordinates of the center of the mass are given by,


`barx=M_y/m=M_y/(rhoA)`


Plug in the values of `M_y,A` 


`barx=(64/5rho)/(rho16/3)`


`barx=64/5(3/16)`


`barx=12/5`


`bary=M_x/m=M_x/(rhoA)`


`bary=(4rho)/(rho16/3)`


`bary=4(3/16)`


`bary=3/4`


The coordinates of the center of mass are `(12/5,3/4)`


What is the climax of the book Crispin: The Cross of Lead?

In Crispin: The Cross of Lead, a boy must flee his village to save his life. The story is set in the Middle Ages, and Crispin has spent his whole life in Stromford village, helping his mother and the other peasants to serve the Manor House of Lord Furnival. When Crispin's mother dies, he is left with nobody and nothing to call his own. To make matters worse, he stumbles across a mysterious encounter in...

In Crispin: The Cross of Lead, a boy must flee his village to save his life. The story is set in the Middle Ages, and Crispin has spent his whole life in Stromford village, helping his mother and the other peasants to serve the Manor House of Lord Furnival. When Crispin's mother dies, he is left with nobody and nothing to call his own. To make matters worse, he stumbles across a mysterious encounter in the woods between the Steward of the Manor and a stranger. When Crispin is discovered, the men chase him down, and the next day he is declared a Wolf's Head, an outlaw who may be killed on sight. At the advice of the priest, Crispin runs away and becomes friends with a wandering bard called Bear who is headed for Great Wexley. 


Together, Crispin and Bear travel to the city of Great Wexley for a festival. While there, Bear is captured for conspiring against the King. Crispin dares to rescue his friend, but is only able to work up the courage after a kind innkeeper tells him that the inscription on his only possession—a cross of lead—reveals that Crispin is the son of Lord Furnival. Knowing this, Crispin heads into the Lord's Palace and faces Steward Aycliffe one-on-one. He promises to hand over his cross of lead, the only evidence of who his father is, in exchange for safe passage for himself and Bear out of the city.


Steward Aycliffe fears that Crispin will claim his role as the new Lord Furnival and seek retribution for the cruelty Aycliffe has shown him all his life. Crispin and Aycliffe confront each other inside the palace and negotiate that when Bear is freed from the dungeons, Crispin will hand over the cross. It is a very tense moment, rescuing Bear and half-dragging his injured body out of the Palace. When they are almost out of the city, Aycliffe goes back on his word and his guards begin to attack Crispin and Bear. His plan fails, and Aycliffe himself is impaled, leaving Crispin and Bear to walk freely out of the city.

What do you learn about the Kiowa people from the way that they respond to the end of their traditional lifestyle?

From the way that they respond to the end of their traditional lifestyle, we learn that the Kiowas were a proud, resilient, and courageous people. They fought to defend their heritage and way of life. We also learn that although the Kiowas were skilled warriors, they had little inclination for prolonged, unrelenting warfare.


The text tells us that the Kiowas, in "alliance with the Comanches," were among the "finest horsemen the world had ever known."...

From the way that they respond to the end of their traditional lifestyle, we learn that the Kiowas were a proud, resilient, and courageous people. They fought to defend their heritage and way of life. We also learn that although the Kiowas were skilled warriors, they had little inclination for prolonged, unrelenting warfare.


The text tells us that the Kiowas, in "alliance with the Comanches," were among the "finest horsemen the world had ever known." To the Kiowas, warfare was "preeminently a matter of disposition rather than of survival." As a people, the Kiowas were little accustomed to grappling with the logistics of prolonged warfare against a determined enemy.


Even though they could not stem the tide of advancing cavalry soldiers, the Kiowa warriors still fought bravely. The tribe surrendered to the United States Army at Fort Sill, but they never forgot their fierce heritage on the plains. 

Wednesday 10 August 2016

According to Edwards, how fast will damnation come?

In "Sinners in the Hands of an Angry God," Jonathan Edwards asserts that damnation "does not slumber; it will come swiftly, and, in all probability, very suddenly" upon those who least expect it.


Edwards expects damnation to come quickly for those he feels are not assured of their salvation. In another part of his sermon, he maintains that many delude themselves into trusting their own "schemes" for ensuring their place in heaven. He argues that...

In "Sinners in the Hands of an Angry God," Jonathan Edwards asserts that damnation "does not slumber; it will come swiftly, and, in all probability, very suddenly" upon those who least expect it.


Edwards expects damnation to come quickly for those he feels are not assured of their salvation. In another part of his sermon, he maintains that many delude themselves into trusting their own "schemes" for ensuring their place in heaven. He argues that it is futile for men to "contrive" for themselves. Rather, he asserts that "whatever pains a natural man takes in religion, whatever prayers he makes, till he believes in Christ, God is under no manner of obligation to keep him a moment from eternal destruction."


In yet another part of his sermon, Edwards tries to frighten his listeners into action. He portrays hell as a place that has been steadily and unequivocally set aside for all sinners. He assures them all that "their damnation does not slumber; the pit is prepared, the fire is made ready, the furnace is now hot, ready to receive them; the flames do now rage and glow."


Basically, Edwards believes his stark portrayal of the horrors of hell will induce his listeners to take the necessary steps towards their own salvation.

What are Columbus's thoughts about his journey and mission?

The prevailing theory about Columbus' motivation in journeying west into unknown territory is that he desired to gain wealth and glory for himself and Spain. However, as we know, he reached America, not Asia as he intended. It did not take long before other Europeans realized America and Asia were separate continents. Nevertheless, Columbus remained resolute in his assertion that he had reached India, or at least someplace nearby.


Many people find Columbus' resistance to...

The prevailing theory about Columbus' motivation in journeying west into unknown territory is that he desired to gain wealth and glory for himself and Spain. However, as we know, he reached America, not Asia as he intended. It did not take long before other Europeans realized America and Asia were separate continents. Nevertheless, Columbus remained resolute in his assertion that he had reached India, or at least someplace nearby.


Many people find Columbus' resistance to the "New World" concept puzzling; as an explorer, for instance, he could have received far more glory for finding an entirely new continent than for finding a new route to Asia. 


However, an alternative theory about Columbus' motivations might help explain this. According to some recent historians, Christopher Columbus believed God had called him to lead a religious crusade against the Muslims, who had recently (1453) conquered the previously Christian stronghold of Constantinople. To finance this crusade, he sought a sea-route to India and the gold mines of Asia.


Assuming that Columbus' personal mission was religious in nature--to reclaim Christendom for the Christian Europeans--helps explain why he continued to believe he had reached Asia. Recognizing America as a new continent would have required him to doubt the divine blessing of his crusade (or at least cause him to rethink its specific nature).

How did ancient Greeks tell the story of their sexuality in their art?

The ancient Greeks told the story of their sexuality through paintings, legends, myths, theater, and sculpture.


For example, the satyr plays of ancient Greece correspond to the sex or romantic comedies of today. These plays featured half-man, half-goat characters who spouted ribald lines, donned phalluses, engaged in sexual trysts, and imbibed wine to excess. Few manuscripts of ancient Greek satyr plays survived intact, but Euripides's Cyclops did. Meanwhile, the Iliadwas one play that celebrated...

The ancient Greeks told the story of their sexuality through paintings, legends, myths, theater, and sculpture.


For example, the satyr plays of ancient Greece correspond to the sex or romantic comedies of today. These plays featured half-man, half-goat characters who spouted ribald lines, donned phalluses, engaged in sexual trysts, and imbibed wine to excess. Few manuscripts of ancient Greek satyr plays survived intact, but Euripides's Cyclops did. Meanwhile, the Iliad was one play that celebrated heterosexual love (the one between Achilles and the beautiful Briseis). In the play, Achilles was so furious with Agamemnon for taking Briseis from him that he refused to fight against the Trojan forces. You can see a painting of Patroclus separating Briseis from Achilles here.


In the area of sculpture, the Greeks could not have been more adventurous. Sexually-explicit sculptures were de riguer, and the Greeks were certainly not bashful about their sexual proclivities. One such sculpture evidenced a homage to bestiality and involved the god Pan making love to a goat. Vases of the time showed satyrs in the midst of sexual ecstasies and other satyrs assuming self-pleasuring stances. Certainly, Greek erotic art was not for the faint of heart.


Greeks also did not shy away from portraying pederasty in their art. Historians bear witness to drinking cups featuring erotic scenes between men and younger males. Greek legends tell of the Greek god, Zeus, who raped the handsome Ganymede. Incidentally, Ganymede is also sometimes known as the Greek god of homosexual love. You can read more about Ganymede here.


As we can see from the above examples, ancient Greeks left behind many examples of their sexuality in their art. For more information, please refer to the links below.

Is there significance in how Neal Stephenson compares religion, language and civilization to a virus and society to a computer system?

The significance of the viral analogy is twofold. On the one hand, it can be taken as an indictment of religions, how they operate and spread their teachings, and how they relate to society as a whole. On the other, it is also a critique of how ideology proliferates, a model which is similar to viral transmission. Much as a virus infects a host cell, replacing its original genetic programming with a new script, ideas...

The significance of the viral analogy is twofold. On the one hand, it can be taken as an indictment of religions, how they operate and spread their teachings, and how they relate to society as a whole. On the other, it is also a critique of how ideology proliferates, a model which is similar to viral transmission. Much as a virus infects a host cell, replacing its original genetic programming with a new script, ideas are internalized by human hosts and subsequently alter behavior (with language serving as the vector of infection).


Furthermore, much as the end goal of the virus is endless growth, proselytizing can play a large part in religious activity. Taken purely mechanically, this parallel need not be derogatory, although viruses have taken on a negative connotation in colloquial speech. However, Stephenson’s emphasis on how faith relates to computer viruses in particular supports a critical interpretation. Much as computer viruses undermine and disrupt their host system, religions, Stephenson seems to imply, play a similar role in their host society. The Snow Crash virus, in this case, also entails a loss of certain fundamental qualities highly prized in Western thought: reason, autonomy, and a sense of self are all sacrificed to the new viral entity. In light of this, the virus of faith is depicted as being destructive both to the individual and to society as a whole. What is omitted from this is the fact that all ideas, good or bad, are spread in a similar fashion: by infecting the host, changing their perception, and changing their behavior. However, in the context of Stephenson’s narrative, this process is not meant to be taken in a positive light.

Tuesday 9 August 2016

Before the 1820s there didn't exist much controversy over tariffs, and people like John Calhoun supported the tariffs. Why did their opposition...

High tariffs had met with some muted opposition early in the nation's history, both because they were seen as injurious to the export-oriented South and because their revenue could be used to finance government activities (like building canals and roads) that some saw as dangerous overreaches of federal power. But the rapid industrial growth of the North and the attendant growth of the cotton/slave economy in the South changed the political dynamic. Protective tariffs were good for Northern textile manufacturers, but not for Southern planters, and the increasingly higher tariffs in 1824 and 1828 were seen in almost conspiratorial terms. Southerners had also been alarmed by the resistance to slavery's expansion that emerged in the Missouri Crisis of 1820.

Many historians, most famously William Freehling, have also argued that tariffs were seen by South Carolinians as dangerous in the precedents they set. If the federal government could enact something Southerners saw as so blatantly hostile to their interests, then they might destroy the institutions (especially slavery) that undergirded Southern society. At the very least, the industrial North held the power to legislate against the South. Calhoun himself wrote that he considered the 



Tariff, but as the occasion, rather than the real cause of the present unhappy state of things. The truth can no longer be disguised that the peculiar domestic institutions [meaning slavery] of the Southern States...has placed them in regard to taxation and appropriation in opposite relation to the majority of the Union...



Some Southerners had become convinced since the Missouri Crisis that forces in Washington were aligned against them, and Calhoun's doctrine of nullification was seen as a means to resist these changes. The irony raised by the question is that Calhoun himself had been one of the country's most ardent nationalists. Indeed, this was how he positioned himself in his run for President in 1824. The best answer for why Calhoun abandoned this position to become the leading spokesman for states rights and slavery itself is to say that Calhoun, as a politician, understood which way the political winds were blowing in his native South Carolina. His was the position of the powerful planters in that state.



 

Monday 8 August 2016

In Hillbilly Elegy, how did Vance’s life change when his mother moved the family to Middletown?

In , Vance identifies the move to a rural area as a major turning point in his life. When his mother moved the family away from Middletown, young Vance was separated from his grandparents, an arrangement he found very difficult. Shortly after the move, Vance’s mother, Bev, began to fight with Bob, her third husband. Their fights were frequent and often escalated into violence. Bev began to use drugs more heavily, and this...

In , Vance identifies the move to a rural area as a major turning point in his life. When his mother moved the family away from Middletown, young Vance was separated from his grandparents, an arrangement he found very difficult. Shortly after the move, Vance’s mother, Bev, began to fight with Bob, her third husband. Their fights were frequent and often escalated into violence. Bev began to use drugs more heavily, and this only worsened Vance’s home life. Vance began to do poorly in school, in large part due to the stressful atmosphere at home. One day, Bev crashed her car—a suspected suicide attempt. Shortly after this incident, Bev took the kids and moved back to Middletown, leaving Bob. However, life continued to be chaotic, and Vance recalls how his mother once got so angry at him that she pulled over the car in order to beat him. Scared, young Vance ran from the car and called the police. Bev was arrested, but Vance was urged to lie at his mother’s trial to keep her out of jail. After this incident, Vance began splitting his time between his mother’s house and his grandparents’ house. According to Vance, his success later in life is largely due to his grandparents’ intervention and influence during this turbulent period of his childhood.

How are race, gender, and class addressed in Oliver Optic&#39;s Rich and Humble?

While class does play a role in Rich and Humble , race and class aren't addressed by William Taylor Adams (Oliver Opic's real name) ...